Our Tribal Elders, part 1 | Djibouti Jones

Our Tribal Elders and the Global Nomad Medicine Wheel, from Djibouti Jones’ blog

I love Djibouti Jones, though I am new to Paul Asbury Seaman. Paul wrote a paper summarizing the huge contributions that Ruth Van Reken, Ruth Hill Useem, David Pollock and Norma McCaig have made to the intercultural field and the world. They all contributed to definitions and recognition of the term, “Third Culture Kids.” Djibouti Jones is publishing the paper, in its entirety, over six Tuesdays. The first segment is linked below.

Our Tribal Elders, part 1 | Djibouti Jones.

Introduction

A culture doesn’t happen by accident. Neither does it simply evolve through inevitable phases and developments. The beliefs and emotional tone of a culture are based on countless discoveries and the meanings assigned to the structures created. As global nomads, our culture is largely invisible. It has no geographic boundaries and no designated symbols. We resort to surveys and anecdotes, cautiously giving labels to the patterns we see. What we name becomes an identity, but one that is never quite complete because the labels are porous and the patterns keep shifting. A roving heart and ambiguity are commonly part of the global nomad legacy; but they are also aspects of a way of life many of us have chosen—with all its costs and merits. Living in limbo means we might often feel anchorless, but it also suggests that we are good sailors and bridge builders.

Instead of pushing boundaries, we pull on them—curious about what they are made of, what function they are supposed to serve.

We find commonalities where others may see none. We ourselves can be bridges across the limbo, not to explain it away, but to provide someplace solid from which to explore it.”…

TCK (Third Culture Kid) Stories On Film

Video

Paths to BCThird culture kids, or “TCKs.” One type of Blended Culture, TCK refers to those of us who have grown up in multiple locations and enlarged our definitions of “home.” We have multiple homes, all near and dear to us. We have multiple cultures, some of which we may be more fluent in than others, and all of which hold deep meaning for us. And, we have created “third cultures,” “blended cultures,” a global, multicultural or cosmopolitan definition of self and family.

The Blended Culture experience is increasingly common. As an expatriate myself, my son is a TCK with multiple national culture affiliations; it’s crucial for me to understand a bit of his experience if I am to parent him appropriately. I pray he grows up to reconcile his identity in constructive, multicultural ways. For those of us who work in international business, schools, study abroad, and with immigrants, it is also extremely helpful to understand at least a bit about the TCK experience. Three recent films may help us do just that.

The first film is called So Where’s Home? A Film About Third Culture Kid Identity, and is by Adrian Bautista. You can view the nine-minute film in its entirety below.

A second film is the award-winning “The Road Home,” directed by Rahul Gandotra. This 24-minute short can be rented or purchased, and the director is currently making a feature length movie about the same characters. You can view a two-minute clip of the film below.

TCKs have unique skill sets and unique challenges. The powerful trailer below (almost nine minutes) shows us what Aga Alegria has in mind as she sets about fundraising to make her documentary film about the TCK experience. Click here to learn more about that effort, or perhaps help her out.

http://vimeo.com/11658942#at=0

We wish all these ventures very well with this important and timely topic! Learn more about a tool to help make the most of the TCK experience.

Two Values Lens Stories

©Cultural Detective, from Cultural Detective Self Discovery

©Cultural Detective, from Cultural Detective Self Discovery

The beauty of Cultural Detective Values Lenses?

A colleague was just telling me this morning that he had a class of students from France and Italy, and one Thai woman. The students had worked with Cultural Detective Self Discovery; they had reflected on their personal values and history, and created personal Values Lenses.

Next my colleague had walked through the French Values Lens with the class, and asked them to compare their personal Lenses with the national Lens, the country in which all of the students were residing and studying. The French students perceived a lot of resonance with their national culture, and the foreign students identified their experience in France as well.

Next my friend walked through the Italian Values Lens, and got the same reaction.

Finally, when he went to the Thai Values Lens, he realized he knew next to nothing about Thais, and that he couldn’t even pronounce the words on the Lens. Thus, he elected to ask the Thai student, blindsiding her or putting her on the spot if you will — he asked her to come up and introduce the class to the Thai Values Lens, which she had only just seen in that moment!

This Thai participant led the other students, and the professor, on a journey into Thai culture that took their breath away! She shared examples of Thai behavior and their meaning that built the other students’, and the teacher’s, respect for who she is and where she comes from.

Such can be the power of a Values Lens. It is not a stereotype. It captures the central tendency, the norm, of a group of people, in terms people can identify with. Thus, it is usually quite easy for a representative of the culture to introduce the values in a Values Lens, using stories from everyday life in that culture.

Second example, much shorter:

So many people nowadays tell us they are global nomads, TCKs, Blended Culture people. And they are. And, this does not mean that they don’t have a culture; it means they have more cultural strands woven into their identity than perhaps the average person!

The second story involves one young woman, who insisted she was nothing like her national culture. She was an individual, a global citizen: culture-less, in a way. In looking at her national culture Values Lens, she exclaimed out loud during class, “Oh my God! I AM Slovak!”

The goal of Cultural Detective Values Lenses as tools is to facilitate dialogue and understanding, both understanding of self and others, and thus enable collaboration that brings out the best of each of us. Please help us make that happen, by sharing your tips, techniques, and designs, and by encouraging best practice.

Cultural Detective Online is LIVE!!!!!!!!

Cultural Detective is proud to announce the new product launch of Cultural Detective Online! This tool is like having a virtual coach in your back pocket, successfully guiding you through the all-too-common missteps of cross-cultural negotiations and communications. Please check out the four videos on the home page. Today only (15-16 October, depending where you are on the planet) there is a 25% launch discount; enter promo code:   CDO-blog25  during checkout.

Huge thanks goes out to each of you who have worked with and incorporated the Cultural Detective Method into work with your clients or employee populations globally, as over the past eight years this tool has become a significant contribution to the intercultural field. Because of our clients and team, Cultural Detective has become globally recognized as one of the premier developmental tools of our time. Now we are on the cusp of very exciting and broader use of the tool through Cultural Detective Online! This new product launch furthers our mission of encouraging communities globally to prosper through intercultural understanding and collaboration.

Cultural Detective Online is useful in a broad range of contexts including global business negotiations and multicultural team effectiveness, international assignments and study abroad, and for successfully communicating within our families and communities, and within and across faith traditions.

A subscription to Cultural Detective Online offers the opportunity to explore the concepts of “culture” and “values” and how they impact communication in everyday life. It provides access to dozens of culture-specific Values Lenses and topic-specific Challenges Lenses, hundreds of real world cross-cultural incidents, and the easy-to-use Cultural Detective process for improving the ability to collaborate successfully across cultures, both on individual and organizational levels.

We are excited to announce that subscriptions are now available for individuals or groups, and we invite you to subscribe to Cultural Detective Online today by visiting http://www.culturaldetective.com/cdonline/ ! Subscriptions start at less than US$100/year, and are less for larger groups of subscribers. You will rarely find more value for your money.

The Holy Land is Here: On the importance of reorienting the nomadic mind

You could say my Mama was a modern-day pioneer. She packed up one suitcase for the three of us — for herself and her two young daughters — and traveled West for the opportunity to reinvent herself, escaping totalitarianism through the seemingly impenetrable Iron Curtain. That was a quarter of a century ago. Still, after so many years, a mother myself, I have yet to truly commune with the place where I live, feeling no tangible connection to the land here.

Why so disconnected? This land seems foreign and not yet part of my “cellular memory” shaped by centuries of Central European living. It is not where my ancestors are buried. In my life, I’ve moved too many times to count, skirting the land, speeding along its slippery surface as if it were ice. Like the original pioneers, and a great many modern-day transplants and migrants, I have internalized the frontier as a state of mind, to paraphrase Native American activist Winona LaDuke. She faults our society’s culture of transience, our belief that a greener pasture lies somewhere else, calling it a psychosis, for disconnecting us from our responsibility to place.

Writer and Mayan shaman Martin Prechtel explains the underlying cause of the westward migration and transient nature of our society as the modern culture’s inability to feed the spirit world from which we come, and our failure to mourn our ancestors which includes acknowledging the damage they have done to this world. He says:

“If this world were a tree, then the other world would be the roots — the part of the plant we can’t see, but that puts the sap into the tree’s veins. The other world feeds this tangible world — the world that can feel pain, that can eat and drink, that can fail; the world that goes around in cycles; the world where we die. The other world is what makes this world work. And the way we help the other world continue is by feeding it with our beauty. All human beings come from the other world, but we forget it a few months after we’re born. This amnesia occurs because we are dazzled by the beauty and physicality of this world. We spend the rest of our lives putting back together our memories of the other world, enough to serve the greater good and to teach the new amnesiacs — the children — how to remember.”

This rings so deeply true for me I weep when I think about it. I live in a new country, a land where I’ve inherited other ancestors’ pain, and I struggle with how to honor it so that I can develop a personal connection and a sense of responsibility to this place. From studying history, I know the magnitude of pain my current life is built on is unfathomable. Between 1774, the year Europeans first arrived on the Northwest Coast, and 1874, an estimated 80 percent of the indigenous population had been decimated by European diseases, including smallpox and measles. According to University of Washington’s Center for the Study of the Pacific Northwest, across the US, “a rough estimate holds that Old World diseases depopulated native societies by about 90% within the first century of contact.”

And the assault on native tribes and the earth continues. In the Pacific Northwest, for instance, as little as three percent of old growth forest is what may be left.

“The question is: how do we respond to that destruction?” Prechtel says. “If we respond as we do in modern culture, by ignoring the spiritual debt that we create just by living, then that debt will come back to bite us, hard.”

In fact, we will literally be — and already have been — haunted by the ghosts of our ancestors if we continue not paying homage to them. “Ghosts will actually chase you,” is how Prechtel describes our predicament. “And they always chase you toward the setting sun. That’s why all the great migrations of the past several thousand years have been to the west: because people are running away from the ghosts. The people stop and try to live in a new place for a while, but the ghosts always catch up with them and create enormous wars and pain and problems, which feed the hungry hordes of ghosts. Then the people continue on, always moving, never truly at home. Now we have an entire culture based on our fleeing or being devoured by ghosts.”

He suggests that one way to honor our predecessors and repay the spiritual debt “is simply by missing the dead. . . as (expressed by) a loud, beautiful wail, a song, or a piece of art that’s given as a gift to the spirits.” If we don’t do this, we are “poisoning the future
with violence” against other beings and the earth itself because we then have no understanding of home.

Prechtel’s insight, I believe, is the answer to healing and to reconnecting us to our past and the earth. In order to “be at home in a place, to live in a place well,” we must do the following, he says. “We first have to understand where we are; we’ve got to look at our surroundings. Second, we’ve got to know our own histories. Third, we’ve got to feed our ancestors’ ghosts” by grieving. We do this by using the gifts we have been given by the spirits to make beauty.”

As global nomads, globetrotters or migrants with no deep commitment to one place we inhabit and its history, we could be doomed. As LaDuke urges, our mantra should be “the Holy Land is here, not somewhere else.”

Official Cultural Detective Animal

We already have a Cultural Detective theme song (La Boca de Cultura) thanks to our multicultural, multi-talented friends Kotolán. I now suggest that, as do many nations of our world, we name an official Cultural Detective animal. And my nomination is the thaumoctopus mimicus.

While many animals change shape or color, the Mimic Octopus studies others and then mimics their movements and their looks — instantly! And this octopus’ repertoire includes at least 15 different species!

Come on, polyglots, global nomads, TCKs, and other blended culture people, can you top that? It changes its behavior to suit its environment, and its behavior is contextually effective. Sound like anyone you know? Wonder who teaches, trains or coaches these octopi?

The thaumoctopus mimicus, or Culturoctopus Detecticus, would definitely seem to be one ethnorelatively developed, or, ahem, shall I say, “marizo-relatively” developed animal. Below you can view a short video of my nomination in action.

Let me know if you have other nominations, or thoughts on this one!