Announcing Our New Website!

new website 2We are thrilled to be able to announce the launch of our new and improved website!

Thanks to your commitment to building intercultural competence in our world, Cultural Detective has been privileged to grow. We now have over 70 packages in the series, 140+ authors worldwide, and are available via online subscription or licensed PDF.

Our original website grew with our community. It was like an old, beloved house, onto which new rooms have been added as the family grows. After so much adding on, light switches become hard to find, as do links to the information you might desire on the website.

Our new website is fast, easy to navigate, and easy to use. I want to very much thank our IT team, Rajat and Mahasweta, who made all the magic happen! It is no overstatement to say we could not have done it without you. Over the years, you both have become invaluable members of the Cultural Detective team. I also want to thank staff members Greg Webb and Kathryn Stillings, who helped me enormously, by uploading data, editing text, and providing feedback on design and functionality. We are blessed with talented people on this team!

I am confident we will find bugs and errors in the upcoming weeks, and we appreciate your help letting us know if you find any so we can correct them. Thank you!

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We hope you put this speedier, more organized and engaging website to good use! Now let’s get out there and build some intercultural competence!

Join Us for Some Awesome Professional Development!


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SIIC interns of the “Banana Crew of ’82” including Cultural Detectives Dianne Hofner Saphiere front and center, and Kathryn Stillings, half-standing with the curly hair. Also in the photo are the founders of the Stanford Institute for Intercultural Communication (SIIC): Cliff Clarke (back row, second from left) and King Ming Young (behind Dianne’s head), along with Jack May (back row, far left), administrative assistant.

My initial involvement with SIIC—then the Stanford Institute for Intercultural Communication—was in 1982, as an intern for Michael Paige. It is where I first met Kathryn Stillings, also an intern, who remains a dear friend and plays a crucial role with Cultural Detective. Several years later, the Institute relocated from Stanford University to the Intercultural Communication Institute, Portland, Oregon, keeping its “SIIC” acronym and changing its name to the Summer Institute for Intercultural Communication.

The Institute has been an annual professional touchstone for me in the 34 years since. In 2016 it celebrates its 40th anniversary! Teaching over the years beside such pillars of intercultural communication as Dean Barnlund, Jack Condon, LaRay Barna, and Stella Ting-Toomey, among so many other incredibly talented, passionate souls, and having the privilege to call many of them friends, has been one of my professional life’s most treasured blessings.

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Some SIIC faculty circa 1990: Dean Barnlund, Nessa Lowenthal, George Renwick, Sheila Ramsey, Dianne Hofner Saphiere

This year, I am privileged to repeat a course I first conducted last year with Daniel Cantor Yalowitz, which was a hoot to deliver and extremely well received, called Gaining Gaming Competence: The Meaning is in the Debriefing (Session II A, Workshop 12). It will be a five-day course held July 18-22.

I am also thrilled about a brand-new course that I will be facilitating with Fernando Parrado, entitled Latin America and Its Place in World Life (Session I, Workshop 6), scroll down on the page). Latin America has so very much to offer today’s world, and is so very misunderstood; I cannot wait to work with participants to help develop our understanding of the region and the ways we teach about it. The topic is both timely and crucial.

Dianne_SIIC_FlyerI very much hope you will join me for either or both of these workshops; click here for financial information and a link to the registration page, or download a brochure for printing or sharing: SIIC_Flyer_Dianne. Here is a link to the full SIIC schedule.

Cultural Detective is also working in conjunction with the Intercultural Communication Institute to provide a 2-day facilitator certification workshop. This workshop receives kudos from even the most experienced intercultural trainers and educators. It will be conducted by Tatyana Fertelmeyster, July 23-24, in between SIIC Sessions II and III. We look forward to having you or your group join us! Click here for registration.

Bridging Cultures Online Learning Event: Register Now!

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How do you translate knowledge of cultural differences into practice? What should you actually do differently to communicate better, and how do you ensure that what you are doing is effective?

  • Identify “bridge builders” and “bridge blockers” to your success
  • Learn techniques for in-the-moment bridging of differences to ensure that conversations spiral upwards instead of downwards
  • Develop strategies to both prepare for and repair cross-cultural relationships
  • Develop high impact, creative resolutions that take into consideration interpersonal, intercultural, and situational factors

During the webinar we will use Cultural Detective Bridging Cultures. This package is a little different than many in our series: rather than focusing on a specific culture, this package includes exercises and processes to help you navigate the differences you face. It is all about translating cultural savvy into action.

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As you probably know, the Cultural Detective Series develops three core intercultural capacities: Subjective Culture, Cultural Literacy, and Cultural Bridging. Every packet in our series develops all three of these capacities; culture-specific packages have a particular focus on Cultural Literacy, while CD Self Discovery and CD Bridging Cultures focus more in-depth on the other two target capacities.

The Cultural Detective Bridging Cultures package is for anyone wanting to move from awareness to action, and it makes a great complement to any Cultural Detective culture-specific package. Join the webinar and learn more about the package and how to use its unique activities and exercises to enhance your own skills and/or your training program.

WHO

Facilitator for this event will be Kate Berardo, co-author of Cultural Detective® Self Discovery and Cultural Detective® Bridging Cultures. She provides consulting, training, and coaching to help individuals be effective global leaders and organizations to navigate complex cultural challenges. Kate has developed and delivered learning events in more than eighteen countries, with individuals from over fifty nations, using both online and traditional facilitation tools. Her work has been featured in media worldwide, most recently on CNN’s Business Traveller and the Dubai daily Gulf News.

Kate holds a distinguished Master’s in Intercultural Communication from the University of Bedfordshire, UK, and is a summa cum laude graduate of Northwestern University in the USA. She is certified in the Myers-Briggs Type Indicator®. With George Simons and Simma Lieberman, Kate authored Putting Diversity to Work, a training guide for managers to leverage diversity in the workplace. Raised in California, she has also lived in Japan, Spain, France, England, and Denmark. Her work and travel to over forty countries have given her a deep understanding of the intricacies of bridging boundaries and barriers.

WHEN
Monday, June 13, 2016 from 10:00 AM to 11:30 AM (MDT)
Register now to secure your place! 

Announcing the Fifth Edition of Ecotonos: Build Cross-Cultural Teams!

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Ecotonos: A Simulation for Collaborating Across Cultures is a classic in the intercultural field. It simulates teaming across cultural differences, and thus helps learners practice and refine cross-cultural collaboration skills. It can be played multiple times for developmental learning, since there is no “trick” to the game. Play and debrief require a minimum of 100 minutes, but is so rich that quite a few professors refer back to and pull learning from the Ecotonos experience throughout the entire semester of a course.

First published in 1992, Ecotonos is now in its fifth edition!

I want to thank—immensely—Kathryn Stillings, who headed up the most recent reprinting: from finding sources for the plastic carrying case and the metal culture buttons, to proofreading and managing the printing, and hardest of all, assembling the finished product and getting it shipped off to our fulfillment center. And she claims to have had fun doing it!

The photos below prove that when you purchase Ecotonos you are getting hand-assembled, artisanal quality goods! 😉 Click on any image to view it larger or see a slideshow. Of course, Kathryn took the pictures, so you sadly don’t see her in any of these.

If you don’t use Ecotonos in your classes or trainings, you are missing out on an invaluable tool for developing cross-cultural teaming competence. The game can be reused for years and years; order yours today!

Righting Culinary Injustice

Photo © Johnathan M. Lewis

Photo of Michael W. Twitty © Johnathan M. Lewis

“I challenge you to find anyone in the history of the world who was enslaved and who revolutionized the food, sex lives, religion, dance, music, and aesthetics of the people who enslaved them—like Africans in the Americas did. The man and woman who became enslaved enslaved the palates of those who enslaved them.”
—Michael W. Twitty, food historian

Michael Twitty is aspiring to be the first US Civil War-era Black chef in 150 years. To that end, since 2011 he has researched, written, and, amazingly, performed the day-to-day labor of an enslaved person. Why? “It’s my job, using imagination, body, archeology, ethnography, anything I can, to honor and restore dignity to my ancestors.”

It is important that we not only honor the ancestors but provide a lifeline to contemporary communities and people of color looking for a better life in the new economy, a way out of the health and chronic illness crisis, and a way to reduce the vast food deserts that plague many of our communities. To honor the food past and provide for the food future is “culinary justice.”
—from Michael’s website, Afroculinaria

All over the world, people have lost and are losing proprietorship of their ancestral traditions. As Michael explains, “Spam colonized Oceania, Korean traditions were usurped during the Japanese occupation, there was the pseudo-history of the Columbian Exchange, Native Americans probably exchanged recipes with immigrants as they shivered under small pox blankets and dodged musket balls.” Too many people have no claim over their own heritage, no access to a field of heirloom vegetables that their ancestors brought to a country or a continent.

Maybe you have heard about Michael Twitty. I had not until I read a post by colleague Missy Gluckmann from Melibee Global this morning. Learning from Michael has occupied my entire morning, and I can’t tell you how thrilled and how moved I am by his work and who he is! Bless you, Missy and Michael!

Readers of this blog know that we often write about food (1, 2, 3, 4, 5); it is central to the soul of a culture. We also frequently write about cultural appropriation (1, 2, 3), from fashion to symbols to traditions, how to avoid it, and how to extend power and privilege, credit and honor where they belong—to origins and originators—while also continuing to be generative. Heck, bridging and blending cultures is what Cultural Detective is all about! Building on others’ work while honoring it respectfully and justly is a difficult line to maintain, however, one that requires ongoing dialogue, learning, and adjustment. Living as a gringa in Mexico, I learn more about that “thin line” on a daily basis.

Here in Latin America, where colonization and the appropriation of historic lands remain modern-day concerns, and the switching from heritage to GMO crops breaks my heart and worries many for our future, Michael’s work provides a much-needed vocabulary and conceptual framework. According to Michael, “In a world where oppressed communities worldwide are struggling with food security and economic inequalities, advancing culinary justice is essential to a better and more sustainable future for the global community.”

How does he define some of his terms?

  • Culinary Injustice: “When the descendants of historically oppressed people have no sovereignty over their culinary traditions, and essentially go from a state of sustainable production and ownership to a state of dependency, mal- or under-nutrition and food injustice. It results in feelings of shame for being under history’s boot heel, and puts distance between our past, ourselves and our future. Culinary injustice places originators in a tertiary and passive rather than a primary and active role in the transformation of culinary traditions, and results in fortunes being made for others”—those who oppress, appropriate, or innovate unjustly.
  • Culinary Justice: “Respect for truth and honesty in telling the stories and traditions of the oppressed. Reconciliation not blame, hope not guilt, the power of working together not avoiding one another. Ensuring that children of color have access to the land, ecosystems, clean water and legal protections to grow the heirloom crops and heritage breed animals of their ancestors. This results in a greater connection to nature, spirit, and our ancestors. Culinary justice enables the oppressed to become entrepreneurs, producers and providers by using their unique cultural heritage, and lifts communities out of poverty.”

Bridging Cultures via Culinary Traditions

Michael himself is a Blended Culture person, both African-American and Jewish, among, no doubt, many other identities. How does he bridge cultures? Again, in his words, “Food is extremely culturally connected and inherently economic and political. It is a proving ground for racial reconciliation and healing and dialogue. The responsible exploration of the Southern food heritage demands that the cooks of colonial, federal era and antebellum kitchens and enslaved people’s cabins be honored for their unique role in giving the Southland her mother cuisine.”

Think about this a minute. Here’s a culinary historian who has dedicated his life to reclaiming the Black culinary heritage of the Americas, especially in the US South. How do you think he might feel about someone, like, say, Paula Deen, celebrity chef and doyenne of Southern comfort food, who, when you think about it, has made a fortune off adapting (or appropriating) African-American recipes and traditions? In fact, Michael named one of his projects “The Southern Discomfort Tour,” to help us redefine how we think about what is commonly referred to as “Southern comfort food.”

Again, in Michael’s words, “I invited Paula Deen to dinner, at a plantation, to engage her as a cousin, not a combatant. The Cooking Gene seeks to connect the whole of the Southern food family—with cousins near and far—by drawing all of us into the story of how we got here and where we are going. There is power in food traditions for bridging the pseudo-boundaries of race.”

Bravo!

Michael talks about “identity cooking,” which relates directly to the Blended Culture that we as Cultural Detectives talk about. He tells us, “Identity cooking isn’t about fusion; rather it’s how we construct complex identities and then express them through how we eat. Very few people in the modern West eat one cuisine or live within one culinary construct. Being Kosher/Soul is about melding the histories, tastes, flavors, and diasporic wisdom of being Black and being Jewish. Both cultures express many of their cultural and spiritual values through the plate, and Kosher/Soul is about that ongoing journey.”

He talks about the Americas as “a culinary cornucopia unknown anywhere else in the world, where foods from Africa, the Americas, Eurasia, the Middle East and Southeast Asia met. Cooks from modern-day Ghana, Angola and Nigeria perhaps exchanged recipes with each other in their new Afro-Creole pidgeon English,” and here, paraphrasing him, sharing with one another how they adapt their ingredient list to the plants and herbs available in the Americas, as well as the palates of their new owners. “What results is not like anything they have cooked before, but is the essential truth of all of the parts.”

Remember when I told you that modern science is proving that memory is biological, that it crosses generations? Michael Twitty, with his one-man mission to reclaim African-American culinary heritage, recently found out through DNA testing that he his paternal ancestors were the Akan of modern-day Ghana. The Akan language, called Twi, has a word and an Adinkra symbol called sankofa. Sankofa means that we must go back and reclaim our past in order to move forward! You tell me Michael isn’t doing what his ancestors, and his genes, tell him needs to be done! Inside each of us, indeed, is a piece of the puzzle, an answer to the challenges facing our world!

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The Akindra symbol for sankofa

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Akindra bird symbol for sankofa

Personal Learning (or Reframing) Points

What are some of the key points I learned, or reframed, from Michael Twitty this morning? Most of the below is verbatim from Michael via his videos on the internet.

  1. African slaves were not unskilled labor. They were brought to the Americas for their skills, to help build nations. They knew how to grow rice and cotton from West Africa, and brought it to the USA. We brought over 20 different African crops and animals to the Americas on slave ships. They brought their ability to cook. Post-slavery, they were the first generation of caterers in America, culinary aristocracy, cooking for the White House, embassies, highest society. Yet our children don’t know that!
  2. “Yam yam” is a Wolof word, the word enslaved women used when caring for white children in the big house, encouraging them to eat her food. Look in the dictionary under “yummy”: “origin unknown”? Black people!
  3. As new generations were born in the USA, kids’ palates changed. They don’t like guts, which of course contained the spirit, the soul, the essence of the animal that was sacrificed to feed us. We began to lose the mystical, the mythological, the metaphysical, and the magical… Those chitlins (small intestine): they contain the soul, that’s why it’s called soul food!
  4. Enslaved cooks from Central West Africa used spirituals to time their cooking; there were no clocks. To roast the meat, bake the bread… they’d reference the number of times they could sing the song before the food would be done.
  5. Rice in South Carolina made 10 out of the first 12 millionaires, all of whom were involved in the Declaration of Independence and the Constitution. It took only two seasons to make the rice planters of Charleston millionaires. Charleston Gold Rice sells for $14/bag today, yet not one black person owns a rice field in Charleston. That’s food injustice.
  6. It’s important to respect and revive the culinary knowledge of the oppressed. It takes guts to insist that the chef act as a keeper of tradition, an advocate of memory, of ecological integrity, of ethnographic and historical respect, with contemporary awareness and a sense of urgency to acknowledge debt. Culinary reconciliation will lead to healing and a better life.

I’m sure you’d love to see Michael in action. Below is a video of an 18-minute presentation he gave to MAD, a Danish non-profit.

If you have heard Michael speak or, better yet, eaten some of his food, please let me know about your experience. Bless you, Michael Twitty! Thank you for helping make our world more respectful, equitable and just!

 

 

War Zones and Cultural Disconnects

PERCEPTION AND DECEPTION COVER FACE 3Our book, “Perception and Deception: A Mind Opening Journey Across Cultures,” is getting incredible reviews and selling like hotcakes (or roti, sushi, tacos…)! Quite a few successful, internationally renowned professionals leading multicultural lives—a famous news anchor, an ambassador, journalists, professors—have written on Amazon to tell us how much they’ve learned from the book. Check out the reviews for yourself. As Joe tells us:

I wrote the book because I think that in this age of globalization, more and more cultures are coming together in ways for which we are not prepared. We don’t understand the real intent behind behaviors, behind images, gestures, and how we use our voices.

Perception and Deception‘s author, Joe Lurie, is born a storyteller. Most of his speaking engagements to promote the book have been sold out, including the one in the video below, taken at the Commonwealth Club of California.

Over the next couple of months, I’ll share excerpts of Joe’s talk there. This first clip, below, is four minutes long, and in it Joe discusses the cultural disconnects in modern war zones.

Perception and Deception is a great gift for anyone who would benefit from taking some time to reflect on what is really involved in communication across cultures, even or especially those who live and breathe it on a daily basis. Copies are available through Amazon.com or your local bookstore. Through more effective intercultural communication we can build justice, equity, respect, and collaboration in our world!

“Those who were dancing were thought to be insane by those who could not hear the music.”
—F. Nietzche

Ready for Some Good News?

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photo by Steve Evans from Citizen of the World (South Africa  Uploaded by russavia) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)%5D, via Wikimedia Commons

…maybe the most important thing happening in the world today is something that we [journalists] almost never cover: a stunning decline in poverty, illiteracy and disease.”

—Nicholas Kristof, NY Times, Oct. 1, 2015

Things seem so grim some days that sometimes I want to turn off the news. But such a “head in the sand” approach isn’t beneficial — it is important to me to know as much as I can about what’s going on globally. But I keep believing there are many good things that are happening in the world that we just aren’t hearing about — the kindness and compassion of people, the connections that make us truly human, the tireless efforts to educate more children, feed more people, and eradicate diseases.

On a particularly glum day, I was delighted to find a NY Times Op-Ed Column by Nicholas Kristof—something that actually gave me reasons to feel more optimistic about the improving situations of people globally. While the daily struggle continues to be difficult for too many around the world, there actually is some good news.

Funny thing is, US Americans don’t know about it. Kristof puts this lack of knowledge squarely on the shoulders of US journalists, but I wonder if others around the world know this information?

According to Kristof, “…the proportion of the world’s population living in extreme poverty… has fallen by more than half, from 35 percent in 1993 to 14 percent in 2011 (the most recent year for which figures are available from the World Bank).”

What? Why didn’t someone tell me? All this work actually is making a difference! For example, in the 1980s, only half the girls in developing countries completed elementary school; today the number is 80 percent. In 1990, more than 12 million children died before they were 5; now the number is less than half that amount.

Kristof writes: “The world’s best-kept secret is that we live at a historic inflection point when extreme poverty is retreating. United Nations members have just adopted 17 new Global Goals, of which the centerpiece is the elimination of extreme poverty by 2030. Their goals are historic. There will still be poor people, of course, but very few who are too poor to eat or to send children to school. Young journalists or aid workers starting out today will in their careers see very little of the leprosy, illiteracy, elephantiasis and river blindness that I have seen routinely.”

Steven Radelet, a development economist and Georgetown University professor, in a forthcoming book, The Great Surge: The Ascent of the Developing World, notes, “We live at a time of the greatest developmental progress among the global poor in the history of the world.”

All this is very encouraging news—caring, hard working people do make a difference, just as I want to believe! Thousands of people all over the world share their knowledge, skills, and expertise to help others have a better life. We at Cultural Detective salute each of you doing your part to make the world a better place!

Cultural Appropriation of Day of the Dead?

©1.IMG_0542You may know that I am US American born, and that I live in México. The latter is a huge country overflowing with diversity, art, and tradition. México is the world’s 13th largest economy, home of a growing middle class. Here in Mazatlán where I live, “Day of the Dead” is a big deal. Many families and businesses decorate altars and visit cemeteries to honor, remember, and often party with the dead. We have a huge street walk with marching bands and flowing beer, and a beautiful event involving dance, music, and poetry in our historic theater. Many locals and immigrants paint their faces and dress up.

However, not many of us here realize that there has been quite a backlash outside of Mexico to the cultural appropriation and commercialization of Day of the Dead by non-Latinos.

I first realized how “hot” Day of the Dead was on my recent visit to a US liquor store. There, I was astounded by the quantity of Day of the Dead- or calaca-themed beer and liquor! To be honest, skeletons and skulls in and of themselves seem to be popular, and anything Mexican (amigoslucha libre….), Spanish (Don Quixote), or mystical (voodoo) as well. The commercialization is, indeed, real. Click on any photo to enlarge it or view a slideshow.

Living here in Mexico, where we are privileged to be steeped in the traditions as well as the festivities, I hadn’t realized the concerns about appropriation of Day of the Dead until I read a post by one of the bloggers I follow, Aya de Leon, entitled, “Dear White People/Queridos Gringos: You Want Our Culture But You Don’t Want Us — Stop Colonizing The Day Of The Dead.”

In reading her excellent article and researching the matter a bit more, it seems that most Latinos are proud of this holiday. They understand that recognizing the dearly departed is a universal desire. Most are happy to share and ready to welcome us into the Día de los Muertos traditions, which have existed since Aztec times. But they most definitely and understandably resent our taking on the traditions as our own and transforming them into something they’re not — emptying the traditions of their soul. She writes:

And the urge to colonization is born when your own land and resources have been taken over by the greedy and your cultures have been bankrupted. Halloween has a rich history as an  indigenous European holiday that celebrated many of the same themes as Day of the Dead, but you have let it be taken over by Wal-Mart… You have abandoned Halloween, left it laying in the street like a trampled fright wig from the dollar store.

Take back your holiday. Take back your own indigenous culture. Fight to reclaim your own spirituality.

Please. Stop colonizing ours.

Aya gives examples of Day of the Dead festivals organized by non-Latinos in which Latino voices and faces are not even present! She talks of a sort of Cinco-de-Mayo-ization (my words) of Day of the Dead, in which white hipsters wear calaca face paint, stand amongst broken marigolds listening to white bands, and drink gentrified, holiday-themed micro-brews, without so much as a thought to what the true tradition is or means. She explains, and rightly complains, that we love Mexican culture when it’s convenient and fun, but not when it involves advocating to solve undocumented immigration, illegal gun exports, or rampant femicide.

So where, exactly, is the line between participating in and honoring Day of the Dead and appropriating or colonizing it?

Cultural appropriation is often used as an accusation, implying theft. But cultures, their traditions and artifacts, often aren’t clearly distinguishable. Throughout history people have intermingled, shared, and been inspired by one another.  As an interculturalist, I’m all about diversity, integration, collaboration, creativity. There is nothing inherently wrong in us learning from and building on one another; that is actually, rather, a really good thing!

The problem, Aya tells us, is many who are welcomed to the Day of the Dead table are poor guests. We don’t sit at the table; we take the table over. We don’t pay our respects, acknowledge our hosts, or say thank you. We need to be conscious that if we organize themed events, we should use them as opportunities to showcase Latino artists and musicians, and we should hold the tradition with reverence, respect, and a desire to learn and honor.

In an insightful piece in Quartz, Noah Berlatsky tells us that the problem with cultural appropriation is racism:

“There’s nothing wrong with Elvis loving and imitating Jackie Wilson. But there is something wrong with the fact that Elvis is hailed as the King of Rock n’ Roll, while most people barely know who Jackie Wilson is…

White performers, like Taylor Swift or Miley Cyrus, use twerking in their videos on the way to becoming more successful and awarded than the black women who developed the style in the first place. When the white borrower, predictably, earns more accolades than the borrowee, artistic freedom and admiration is transformed into something much more problematic…

While country music loves black music, it mostly excludes black artists, in the sense that those artists are not considered central, and their contributions aren’t recognized.”

Therefore, all of us need to be vigilant to extend power and privilege, credit and honor, to the origins and originators, not just to those who adapt. However, our modern-day systems are skewed against us. Those who write a book are credited with ideas expressed by others; individuals and corporations can copyright and trademark something that has a long tradition and belongs to a group of people.

Did you know that Disney even attempted to trademark Day of the Dead? They were making a movie called Day of the Dead, and wanted to trademark the title. Thanks to huge response to a petition on Change.org, Disney rather quickly pulled its application. According to an article in the Los Angeles Times, here’s what some of those opposing Disney’s trademark application had to say:

“Our spiritual traditions are for everyone, not for companies like Walt Disney to trademark and exploit,” wrote Grace Sesma, the petition’s creator. “I am deeply offended and dismayed that a family-oriented company like Walt Disney would seek to own the rights to something that is the rightful heritage of the people of Mexico. This is a sacred tradition. It’s NOT FOR SALE,” wrote Consuelo Alba, of Watsonville, Calif.

The trademark application was “odd” to Evonne Gallardo, executive director of the Boyle Heights art center Self Help Graphics. The center puts on one of the largest Day of the Dead celebrations in Los Angeles and has been sponsored by the Walt Disney Co. “The right thing to do is not to attempt to trademark a cultural and spiritual celebration,” Gallardo said. “I have yet to see a trademark on Christmas or Hanukkah.”

The movie was re-titled to “Coco,” no doubt so that Disney could trademark the title and create a website. One of the most spirited activists to oppose the trademark application was cartoonist Lalo Alcaraz, creator of that incredibly powerful graphic above. In a great act of corporate listening and learning, he was recently hired on by Disney to work on the film about which he protested! Our speaking up to defend our heritage can have positive results! The movie is being made, showcasing a beautiful tradition, and it now includes more representation from the very culture it portrays.

Today as I started to write this post, I read an interesting article in The Atlantic: “The Do’s and Don’ts of Cultural Appropriation.” In it, Jenni Avins provides six recommendations to prevent appropriation, including involvement of and engagement with members of the culture. She points out that cultures are fluid and constantly changing, so we can’t ask that they stay frozen in time. On the other hand, foreign passion has often helped preserve native traditions, arts, handicrafts, music, dance, literature and even languages. Like Aya, she highlights the importance of acknowledging and honoring the source, the origin, of cultural arts and traditions. Jenni also provides two “don’ts”: never wear blackface, and never use sacred artifacts as accessories.

If you celebrate Day of the Dead, please, participate in and enjoy the festivities, and use the opportunity to truly remember those who have preceded us in death. Day of the Dead provides a perfect time for us to learn from our Mexican and Latino neighbors and friends, and to share with them a human universal: remembrance and longing for those we’ve loved and lost.

I would heartily welcome your sharing with us stories of when you felt torn between wanting to participate in or honor a culture, and fearing that you were appropriating. For me, I quickly remember two different occasions when esteemed colleagues gifted me beautiful and expensive native dress, and requested that I wear it during training. I just couldn’t. I felt comfortable to wear their gifts for a social occasion, but for an intercultural training, where I was in a power position, and not a member of or fluent in the culture the dress represented, it just didn’t feel right. Yet I know I disappointed my colleagues. I do wear blouses made from kimono fabric, or blouses or skirts from other cultures. There’s just something about a complete outfit and hairstyle combination that makes me feel like I’m trying to be something I’m not.

How about you? Do share!

The Oxford Dictionary recently added “Mx” to their lexicon. Are you familiar with what it means?

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Transgender symbol image ©ParaDox, used under Wikimedia Commons license

Growing up in the USA in the 1950s, as I did, it was “clearly understood” that there were two genders: boys and girls. So it never crossed my mind until I was much older that perhaps the binary world of gender was not so binary. And if one allows—even intellectually—for that possibility, you can begin to see how difficult daily life can be for transgender people, individuals who do not identify with the gender to which they were assigned at birth.

The more one thinks about it, the more complex being transgender becomes. Take a seemingly simple thing like filling out a standardized form: what do you do if you aren’t Miss, Mrs., Ms., or Mr.? This is the dilemma that opens Jacob Tobia’s recent piece in The Guardian, which I highly recommend. He writes of the difficulties of not having a gender-neutral option available in so many daily situations. As I read his article, I began to realize the privilege given to “cisgendered” individuals—those who identify with the gender they were assigned at birth.

Tobia writes:

Growing up, I assumed that the only way to have a gender-neutral title would be if I got a PhD and could make everyone call me “Dr”. For most of my life, I didn’t realize that there was another way out of the “Mr/Ms” dichotomy. That changed when, in my junior year of college, a favorite professor of mine introduced me to an artist named Justin Vivian Bond who used a gender-neutral term that I had never heard of before: “Mx.”

What?! Yup, that’s not a typo: the word is “Mx.” When I read this article, I thought everyone else must already know about it, since it is now included in OxfordDictionaries.com: “A title used before a person’s surname or full name by those who wish to avoid specifying their gender or by those who prefer not to identify themselves as male or female.”

Judging by the reaction of the few people I have mentioned it to, this term is not in universal usage, at least not in my tiny little corner of the world. However, it seems a great addition to the English language for those who do not self-identify with binary gender assignments.

“…on 28 August 2015…That day, OxfordDictionaries.com – created by the publishers of the Oxford English Dictionary – added Mx to the dictionary. Seemingly overnight, Mx went from an underground, somewhat obscure term, to an official part of the English language.”

Want to learn more about the challenges of being transgender? Watch this video with Jazz Jennings, a transgender youth. Want to learn how to be an ally to transgender people? Here are a few tips from Basic Rights Oregon. Want to understand some of the values that transgender individuals tend to share? Check out Cultural Detective LGBT (Lesbian, Gay, Bisexual, Transgender), now part of Cultural Detective Online.

Great Press Response to CD’s New Book!

JoeLurie600Cultural Detective is the proud publisher of a wonderful new book chock-full of stories of intercultural interaction from around the world—a book that contains loads of proverbs and insights to current events as well: Perception and Deception: A Mind-Opening Journey Across Cultures, authored by Joe Lurie.

Response from the press to the new book has been swift and highly positive.

  1. The first article came from the National Peace Corps Association. Joe has a fellowship endowed in his honor, one designed to enable returned Peace Corps volunteers to obtain their PhDs. Isn’t that terrific? So they used our book to encourage people to apply and further their education! Read more about Joe, the book and the fellowship in this terrific article.
  2. University of California Berkeley profiled Perception and Deception in a public affairs news release, Former I-House director explores cross-cultural encounters in new book.
  3. Perception and Deception was also showcased recently in Psychology Today, in an article entitled, Do You Perceive Things the Way They Really Are?

Joe has been doing quite a few readings, and one that is open to the public is coming up on Tuesday, December 8, at the Commonwealth Club in San Francisco. He is an incredible storyteller, and it’s sure to be a lively audience, so don’t miss the opportunity!

Perception and Deception: A Mind-Opening Journey Across Cultures is available in print or ebook versions, via your local bookseller or amazon. Be sure to get your copy today! The book makes a wonderful gift.